Thursday, March 21, 2019
American Film and Movies from the 1950ââ¬â¢s to Present Essay -- Movie Fil
American Film and Movies from the 1950s to PresentToday, American film is among the most internationally supported commodities. Financially, its contributions are enormous the exertion is responsible for the circulation of billions of dollars each year. Since its explosion into the new media markets during the mid-twentieth century, film has produced consistently suppuration numbers of viewers and critics alike. Sparking debate over the nature of its viewing, film is direct being questioned in social, political, and moral arenas for its potential impact on an audience. Critics look at that watching films is a passive activity in which the viewer becomes subconsciously absorbed, and creates a reliance or addiction to the medium, and thus can be influenced by any perpetual concepts or images. Advocates, however, argue that viewing such programs is an active process in which audience members are able to take in to what they are exposed, and interpret messages based on their indivi dual needs and background. possibly both views are too extreme. Film from the 1950s to present, as will be explored in this essay, is an extremely useful medium, often underestimated within the strike off of entertainment unfortunately, it may be partially responsible for current socio-cultural problems, too. The exact question, then, is whether film has fostered the progress of a more open-minded America, or earlier hindered its development through the perpetuation of antiquated concepts of stereotypes, densensitized violence and breeding of normalcy.Whether or not a nave approach to film as an comprehensive medium holds true to fact, however, is questionable. Since its popular arrival in American finishing during the 1930s, film has sparked controversy over ... ...es, Francis, ed. chapiter Smithsonian presentation Press, 1996. Jowett, Garth. A noteworthy Medium, in Movie Censorship and American Culture. Couvares, Francis, ed. Washington Smithsonian Institution Press, 199 6. Lyons, Charles, The Paradox of Protest, in Movie Censorship and American Culture. Couvares, Francis, ed. Washington Smithsonian Institution Press, 1996. Ross, Steven T., ed. Movies and American Society. Oxford Blackwell Publishers, 2002. Wasser, Frederick. Is Hollywood America?, in Movies and American Society. Ross, Steven T., ed. Oxford Blackwell Publishers, 2002. Slocum, J. David, ed. craze and American Cinema. New York Routledge, 2001. Rotham, William. Violence and Film, in Violence and American Cinema. Slocum, J. David, ed. Routledge, 2001. Turner, Graeme. Film As Social Practice. New York Routledge, 1999.
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