The Effective Use of Imagery in Hemingways The Old Man and the Sea Ess

The Effective Use of Imagery in Hemingways The hoar military man and the Sea Ernest Hemingways The grey gay and the Sea has engendered some lively flip in literary circles. Critics have concentrated on everything in the novelette from the verity of Rigels early evening appearance over Cuban skies in September (Weeks 192) to William Faulkners judgment that Hemingway discovered God charm writing The Old Man and the Sea (Bradford 158-62). Yet the most insightful commentary has gravitated invariably toward biblical, natural, and classical imagery in the novel. These images turn an otherwise simple angle tale into a sublime narrative of human endurance. A interpretation that examines these images will serve to clarify the hidden significance in Hemingways novel. biblical imagery literally abounds in The Old Man and the Sea. The name capital of Chile itself is a biblical allusion. Donald Heiney in grads us that Santiago is simply the Spanish form of Saint James, and Jame s like Peter was a fisherman-apostle in the impertinent Testament. Santiago de Compostela is the patron saint of Spain and is also greatly revered by Cuban Catholics (86). Sam Baskett enhances this image by indicating that Saint James was martyred with the sword by Herod (278). In the novel, we see Santiago entrenched in battle with a swordfish, and, if we are to believe Baskett, he eventually dies after the struggle (269). In a sense, Santiago, like James, is martyred with the sword. Santiagos battle with the fish produces myriad biblical images, and while the most obvious are Santiago-as-Christ, others exist as well. Arvin Wells, for example, provides a Santiago-as-Cain doctrine of analogy Repeatedly, Santiago addresses the fish as brother. . . Yet, at the same ti... ...y, Donald W. Barrons Simplified Approach to Ernest Hemingway. Woodbury Barrons educational Series, 1965. Hemingway, Ernest. The Old Man and the Sea. New York MacMillan, 1952. Jobes, Katharine, ed. Twe ntieth Century Interpretations of The Old Man and the Sea. Englewood Cliffs Prentice-Hall, 1968. Moseley, Edwin M. Pseudonyms of Christ in the Modern Novel Motifs and Methods. Pittsburgh University of Pittsburgh Press, 1962. Rosenfield, Claire. New world, Old Myths. Jobes 41-55. Sylvester, Bickford. Hemingways all-embracing Vision The Old Man and the Sea. Jobes 81-96. Weeks, Robert P. Fakery in The Old Man and the Sea. College incline 24 (1962) 188-92. Wells, Arvin R. A Ritual of Transfiguration The Old Man and the Sea. Jobes 56-63. Young, Philip. The Old Man and the Sea Vision/Revision. Jobes 18-26.